Art Tile Examples Based on Photo Images

 Art Tile Examples Based on Photo Images

These art tile configurations have an infinite number of possibilities based on image content (theme/locale) and kaleidoscopic treatment. Another interesting aspect to this process is that the client could personalize/customize the tile approach by providing his/her own images for kaleidoscopic treatment.

Having said this, the tile approach to be used in a home (living room, kitchen, study, bathroom, bedroom, etc.), office, studio, company lobby, waiting room, etc. could be thematic depending on the images (content) chosen for kaleidoscopic treatment. As an example of this, I have used five 9/11 Memorial images and 10 windmill images.

Again, this opens the door for an infinite number of approaches. A hospital waiting room could use medically-related images for kaleidoscopic tile treatment. A high-tech company could use tech components for kaleidoscopic tile treatment. A Space (aerospace) company could use Space/hardware images for kaleidoscopic tile treatment. And the list goes on and on.

Examples follow:

 

China (5.5"x5.5")


Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:






Wall/floor application example:





Wall/floor application example:





Wall/floor application example:






Wall/floor application example:





Wall/floor application example:



Nature (5.5"x5.5")


Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:



9/11 Memorial, NYC (5.5"x5.5")


Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:



Windmills (5.5"x5.5")


Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:



Isolated pixels from PSMA (Pixel as Suprematist/Minimalist Art) (5.5"x5.5")


Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:





Wall/floor application example:






Wall/floor application example:





Wall/floor application example:

















Comments

Post a Comment

Popular posts from this blog

Handbag Examples

Image
Tom R. Chambers began to look at the pixel within the context of Suprematist and Geometric Abstractionist art.  The pixels or "Pixelscapes" - as he calls them - conform with many non-objective artists' paintings. This body of work is derived from pixel configurations.  They are magnified, filtered and precisely isolated to provide geometric abstractions within color-field settings.  These pixel configurations are brought out large-scale. This method not only conjures up Suprematism, Geometric Abstraction, Minimalism and Color-field for consideration, but also calls forth emotions, feelings, and responses in the viewer. https://digsup.my.canva.site/ https://digsup.my.canva.site/dsgawfmamsu https://chambersarts.godaddysites.com/ Chambers has used templates/place holders (screen captures) courtesy of and permission from VIDA Studio to transform his "Pixelscapes" into handbag art. A few examples follow:
Read more

Geometric Abstraction Fashion Design

Image
Tom R. Chambers began to look at the pixel within the context of Suprematist and Geometric Abstractionist art.  The pixels or "Pixelscapes" - as he calls them - conform with many non-objective artists' paintings. This body of work is derived from pixel configurations.  They are magnified, filtered and precisely isolated to provide geometric abstractions within color-field settings.  These pixel configurations are brought out large-scale. This method not only conjures up Suprematism, Geometric Abstraction, Minimalism and Color-field for consideration, but also calls forth emotions, feelings, and responses in the viewer. https://digsup.my.canva.site/ https://digsup.my.canva.site/dsgawfmamsu https://chambersarts.godaddysites.com/ Chambers has used templates courtesy of VIDA Studio to transform his "Pixelscapes" into wearable art ... fashion. A few examples follow: S heer kimono-style wrap: Scarves: Poncho Wrap: Leggings: Statement Bag:
Read more

Palo Duro Canyon ... The Mandala of Texas

Image
 Samples of cards using photographs of Palo Duro Canyon transformed into mandalas: A mandala is a geometric configuration of symbols. It  may be employed to focus attention as a "spiritual" guidance tool, for establishing a " sacred space". I certainly consider Palo Duro Canyon a "sacred space" for meditation ... a  "spiritual journey", starting from outside to the inner core, through layers.
Read more